Thursday, January 2, 2014

"Jurassic Park" - How it changed Visual Effects Forever... And NOT for the Good! -Brian Bourque

Ladies and gentlemen, please welcome guest blogger and good buddy Brian Bourque with his musings on the recent evolution of cinematic visuals.  Brian's been a friend since wayyyy back, and one of the nicest guys you could ever meet.  Pass this on, and let's encourage Brian to get going on a blog of his own!

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"Jurassic Park" - How it changed Visual Effects Forever... And NOT for the Good!

I remember the first time I saw "Jurassic Park", and I was both excited and blown away.
The Visual Effects(VFX) were amazing and unparalleled at the time, but I also knew that visual effects changed forever. This was the first time that Computer Generated Images were used to produce organic and fluid movements of the dinosaurs. The gauntlet was thrown down, anything that could be imagined could now be put on screen. Gone were the days when effects were governed by movie budgets and the ability to actually produce the effects.
During the 1980's, this was a time of unequalled growth in the VFX industry, and it seemed that blockbusters were topping one other with new and improved visuals, and the results were outstanding. One of the main reasons that Star Wars was so successful was because of its cutting edge special effects. People waited in lines because they knew that they were going to see things that have NEVER been seen before on screen, It was part of the excitement. The "Star Wars" franchise is great but the story is simple: the characters were thinly drawn, one dimensional and the dialogue cheesy.... so why does it work?
The VFX is a big part. Don't believe me? Look at the prequels of the late 1990's and 2000's, when the art of the effects had improved to the point that the movies had to stand on the merits of storytelling and character development, because the visuals were the same as most big budget movies during the same time, In fact, "The Lord Of The Rings" trilogy had a better look.
Gone are the days where expert model makers would delight us and make us believe that a spaceship model measuring 24-48" across was, when filmed skillfully, appeared hundreds of feet wide. Today's CGI of ships, while quite beautiful, just seems artificial. In "Star Trek-The Motion Picture" from '79, the shuttle flyby of the most gorgeous model of the Enterprise still stands as one of the most beautiful VFX moments in my memory, made all the more beautiful with the fact someone laboured many hours over a model and not a keyboard.
Then there is Yoda, who in 1980 became a fully realized character through the use of an incredible puppet and the skill of Frank Oz as its master. The CGI Yoda of the prequel just looks plain creepy! Enough said.
Don't get me wrong, I love the CGI/VFX of today, and nothing is impossible to put on screen. And I think therein lies the problem, "Independence Day" and "2012" are both produced by the same team, and are both considered Disaster Porn, but "Independance Day" was more sucessful with less VFX, and they were all practical on top of that. The look of that film is better and more appealing, I think because of the work that went in making the models of the city and buildings.
I hope that the use of CGI does not take over the storytelling, because special effects are a tool to enhance the story telling process, not to make it. I wonder if Steven Spielberg knew he was changing the world when he made "Jurassic Park".
...Of course he did! He's Steven freakin' Spielberg!
- Brian Bourque




Monday, December 23, 2013

The Night Before Christmas

'Twas the night before Christmas
When all through the house,
Not a creature was stirring
Not even a mouse.

Even the kitties
Were snug in their beds,
With visions of Santa Paws
Visiting in their heads.

The ice storm outside
Over the past couple of days,
Couldn't dampen the spirits
Of the Cooks, or dismay.

Alexandra was busy
Wrapping all kinds of gifts,
Mike and Janice were shoveling
To get rid of snow drifts.

Robax was the rule
To remedy their sore backs,
A shot of Bailey's or two
Before hitting the sack.

The post office and stores
Where they worked were aflutter,
With last minute shoppers
All grumpy and a'mutter.

This December's been cold
With much ice and much snow,
More so than years past
Our sore backs, they should know!

But the happiest times
Of the season lie ahead,
Full bellies in their future
Long sleeps in their beds.

Presents wait to be opened
Strewn under the tree,
Even Crocky and Marbles
Wait in curiousity.

God knows we're all thankful
For all blessings bestowed,
By our reason for the season
Through the whole year, we know.

And may blessings be yours
Friends and family tonight,
Merry Christmas to all
And to all a good night!





Saturday, December 21, 2013

Judgment Daze

I'm one of those folks that has a bit of a tough time with the holiday season.  I fell into quite a funk over the past week or so, actually.  I certainly won't point fingers at even one single person, because I've determined that it's me who's messed up more than anything.

But, I think I'm a victim of what many others are, too, as well: the dreaded Seasonal Affective Disorder (or, appropriately abbreviated, SAD).  This, compounded with the fact that I've got depressive issues, likely for life.  Poor me, eh?

There's a great show that was on HBO a few years ago called "Six Feet Under".  It ran for a too-short five seasons, and ages remarkably well upon repeat viewings over the years.  There's a character on it named Billy, with whom I see some parallels with myself.  Over the past little while, HBO has been airing all the "Six Feet Under" series chronologically on one of its channels, and on-demand on another one.  On the random channel, I re-watched a couple of episodes from the stellar second season, the best season in my opinion, and became enthralled with Jeremy Sisto's "Billy" character more than when I first viewed it.  I think because I can relate a lot more.

In the first season when Billy is introduced, he seems like this flippant, off-kilter character that you would sense is ultimately going to wind up being one of the chief antagonists on the show.  As season one churns on, he indeed does become the main concern for arguably the program's main protagonist, Nate Fisher Jr. (or just Nate).  Nate hooked up with Billy's sister, Brenda, immediately in the grab-you-by-the-throat premiere episode.  Once Billy is introduced, you ask yourself all kinds of questions, and make assumptions about him that are inevitable; that you don't question until you see him return in season two.  It's at this time, in the second season, that I found myself relating to him.  In season one, he came off his 'meds', and was wildly unpredictable.  He preferred to take action first and ask questions later, most of the time not asking questions at all, regardless of the impact of his actions.  At the end of season one, he unravelled and hit the bottom, and was admitted to psychiatric care, apparently even enduring electro shock therapy, as the dialogue hints: "They've pumped enough electricity through me to light up the eastern seaboard."

But this Billy we see in season two is significantly more grounded.  Ultimately, we see him when he's on his meds, and when he's not.  By his own admission, he's sick, always will be, and those are the cards he was dealt.

I sat watching it and thinking of my own self, when I came off my own meds.  I realized my judgment was quite off compared to when I was on them.  When I first started taking meds in '96, it wasn't long before I realized that the person I'd just become is radically different from the person I was.  Oddly enough, I felt 'normal'.  Could this be?  How could I be normal if I take pills that obviously changes who I naturally was?

You hear a whole lot about contact sports these days, and the ramifications of when thing get too out of hand, namely regarding concussions.  Football being the biggest example.  Hockey being the next.  MMA really concerns me.  Boxing is completely frowned upon these days, for good reason.  When someone sustains a concussion, the brain is permanently compromised.  A person's head will not work quite the same way as it did prior to sustaining one of these injuries.

This doesn't mean you're screwed if you wind up with a concussion.  I've had probably half a dozen of them in my life, three of them major.  I was in a coma twice.  The worst of them came when I was in my formative years, just after my father died when I was 12.  The others I wound up with were almost all self inflicted.  The last one being only about ten years ago, at a time when I was off my meds.

But I'm a great believer in that your body is an amazing machine that goes to great lengths to heal itself, if it can.  I've read that the brain is able to make alternate neural connections to get things done the way it used to when it sustains injury.  I do believe something like this takes time.  But the brain is far, far more complex than any man-made intelligence.  I doubt we will ever fully understand to the extent of what it's capable of.

I think that I'm in the bracket of people who have mental and emotional difficulty who have suffered any brain injuries over the years.  The so-called "depression" that I deal with is a permanent, dare I say it, disability.  I'm fine with knowing that.  I'm actually thankful.  Things could have ended up a whole lot worse, after my face had been blackened after being slammed into the pavement from being hit by a car on the very same rainy December night that John Lennon was murdered.  I could have died, or worse, become vegetative.  So yeah, I'll take this little bit of flakyness that peppers my personality from time to time.  I admit to my own eccentricities.  I embrace a lot of them, in fact.

Back to my original intent of the subject... here I am, four days removed from Christmas of 2013,  trying to justify to myself why sometimes I come home when no one's around yet, and I go to bed a cry a little while.  I think back on Christmases past, when my whole family was together.  Mom and Dad were alive, and everyone converged on 136 Emmerson Street where we grew up to celebrate the holidays as a complete unit.  Even after Dad died, we still came together there at Mom's house, where I lived until she was relocated to a nursing home.  There was a genuine Christmas spirit in the air that was palpable to all of us.  We were a family of nine before Dad passed, and we all loved each other, and showed it the most during the holidays.

Mom's gone now.  We lost her in '98 after a lengthy battle with disease.  That hit us all pretty hard.  I won't say I felt it the worst, because everyone deals in their own way.  Speaking for myself, though, I live with a lot of regret, in part because of this damning depression-like condition I have to wake up with and confront every day; regret that I could have done more for Mom than I did, way more.  I can't go home to see her now.  Being the youngest of seven, I get to have the least amount of time in my life to have been with her, and thus, less time to make up for any wrong I've done.

However, I'm a dad now, married to the mother of my own little girl.  This is my chance to make things right with Mom.  I've screwed up an awful lot along the way, but I learn every day, too.  I take a lot from my own mom in how I treat Alexandra.  The good that's in me today is because it was instilled in me from my own mother.

Now it's up to me, with Janice, to make sure Alexandra has the same great childhood memories that I was treated to.  With no concussions, though.  So far, it's just been a very broken arm, during a time that was a tad bit scary.  But, so far, so good.

The medicated Billy would be proud, I think.